About 217 minutes
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49,733 recorded words. 4 minutes difference from this book's estimate.
View Gutenberg source #64123Before opening Linda Carlton's Perilous Summer — Themes and Context, the edition data offers a quick orientation: 50,715 words, 3 hr 41 min estimated reading time, and 8 detected text sections.
The text analysis averages about 12.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.
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About 217 minutes
Exploration Survival Adventure Tales
49,733 recorded words. 4 minutes difference from this book's estimate.
View Gutenberg source #64123About 228 minutes
Exploration Survival Adventure Tales
52,308 recorded words. 7 minutes difference from this book's estimate.
View Gutenberg source #61784About 208 minutes
Exploration Survival Adventure Tales
47,647 recorded words. 13 minutes difference from this book's estimate.
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Read on Project GutenbergLinda Carlton, introduced as "the first girl in America to fly from New York to Paris alone," opens her summer by pleading with her aunt for a picnic flight in her autogiro, the "Ladybug." The aunt's repeated fear of flying—she has never even ridden with her niece—sets a domestic counterpoint to Linda's airborne confidence. The excerpts quickly move from this family negotiation into a treasure hunt organized by Mr. Clavering, a plot device that leads Linda to a deserted house with a tower, where she sees a ghost that "moved" and whose eyes "followed" her. The catalog lists "Ghosts -- Juvenile fiction" and "Mystery and detective stories," but the actual text devotes more space to flying logistics, banter among friends, and the aunt's relief than to ghostly investigation.
The catalog subjects include ghosts and detective work, yet the excerpts show that flying dominates both the action and the characters' identities. Linda declares, "I—I—belong in the air," and her aunt's worry centers on crashes, not hauntings. The treasure hunt is resolved quickly—Linda produces a thousand-dollar check—and the ghost is mentioned only afterward, as a secondary worry. The detective elements are minimal: Linda tells Dot about her mistrust of Mrs. Fishberry and the apparition, but no sleuthing occurs in the provided text. The ghost functions more as a source of unease than as a mystery to be solved, suggesting the catalog may overstate its role.
Aunt Emily, Linda's guardian, is a persistent voice of caution. She "groans" at the mention of flying and kisses Linda with relief upon her return. Her fear is specific: she imagines Linda "crashed during that storm, and is stranded—possibly hurt." This maternal anxiety contrasts with the adventure tone but is not developed into a subplot in the excerpts. The text does not reveal whether Aunt Emily's fears are ever addressed or if she remains a static worrywart. Readers should note that the excerpts end before any resolution to the ghost or the missing girl Amy, so the aunt's role may shift later in the book.
The treasure hunt is less a puzzle than a social event. Mr. Clavering hides a check in a house visible from the air, and Linda retrieves it. The group celebrates with a banquet and dance, and "there was no jealousy regarding Linda's triumph." The hunt serves to bring characters together and showcase Linda's flying skill, not to test her wits. The ghost sighting occurs during this hunt, but the narrative quickly returns to the party. The excerpts suggest the book uses adventure tropes—flying, treasure, a haunted house—as backdrops for character interactions rather than as sustained suspense. The ghost is described as "dreadful" and "terrifying," yet Linda keeps it from her aunt, hinting at a private fear that may or may not be explored further.
Readers approaching Linda Carlton's Perilous Summer should expect a light adventure centered on flying and social dynamics, with ghost and mystery elements that appear more as seasoning than as the main course. The excerpts do not confirm whether the ghost is real or faked, nor do they resolve Amy's fate. The book's appeal likely lies in its period details—autogiros, summer bungalows, and treasure hunts—rather than in suspense or detection. Treat the catalog subjects as broad hints, not promises.
That Linda story stayed with me because even in the middle of all the haunted-tower noise, the quietest thread was her aunt’s worry—how peril doesn’t always look like lightning, sometimes it’s just waiting. It made me think of The Young Supercargo: A Story of the Merchant Marine — Text and Context, where the sea holds the same kind of unspoken heaviness. That feeling lingers, like a held breath.
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